Andrew Stanton returns to Pixar for this follow-up to one of the animation house's most beloved films, Finding Nemo.
About Finding Dory
Artist : Ellen DeGeneres, Albert Brooks, Diane Keaton, Eugene Levy, Willem DafoeAs : Dory, Marlin, Jenny, Charlie, Gill
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Release date : 2016-06-17
Movie Code : 2277860
Duration : 100
Category : Animation, Adventure, Comedy, Family
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Depp, as the Scottish-born turn-of-the-century playwright J.M. Barrie, portrays a fellow who is openly gentle to the core, and the actor just about wraps the movie around his lilting delivery and quiescent gaze.
It is Depp who makes the magic real enough to believe.
Impeccably made and genuinely moving.
I'd rank it as one of the best films of the year.
We can always see the frightened little boy in the man, and the importance of the role that make-believe plays in a world often too eager to tell us to accept things as they are instead of urging us to remake them by dreaming of how they could be.
You're expected to weep, and perhaps you will weep. But if you do, it's not likely that you'll respect yourself in the morning.
When the blunt head of Bruce the shark slams into the screen like a hammer, everyone - adults included - gasps
As Peter Pan might have put it, an awfully small adventure.
There isn't much that's less interesting to watch Johnny Depp do than bring a quiet and steady decency to anything.
The verities are about the ways imagination is craved and curtailed by loved ones and by society.
It's a mild pleasure to watch.
It's harmless cotton candy with pleasant turn-of-the-century decor, but I admit the Disney ambiance eventually wore me out and I spent a lot of time looking at my watch.
Nemo, with its ravishing underwater fantasia, manages to trump the design glamour of earlier Pixar films.
A rewarding piece of filmmaking that has all the makings of a classic weepie.
[An] aquatic joyride.
Finding Neverland has a radiance that comes primarily from Depp's performance but finally suffuses the whole movie - with its marvelous cast and lovingly created images of a British Edwardian past.
Finding Neverland is gently seductive, genuinely tender and often moving without being maudlin.
Some things are worth causing a lump in your throat. Finding Neverland is one of them.
A timeless delight.
Infused by an awkward decorum; the kind that descends on a gathering dominated by an unmentioned death or transgression.
Intelligent and inspiring.
A visual marvel, every frame packed to the gills with clever details, Finding Nemo is the best big-studio release so far this year.
Pretty as a Victorian candy box and gentle as a sleeping child's breath, Finding Neverland is a small treasure of a film.
Depp is a charm. He becomes his own, subtly compelling Barrie.
Good taste runs amok. The movie is careful to offend no one, which, in a more dramatically told film might not be as irritating.
If it didn't have Johnny Depp as its star, Finding Neverland would barely pass muster as an average PBS Masterpiece Theatre entry.
In this seamless blending of technical brilliance and storytelling verve, the Pixar team has made something as marvelously soulful and innately, fluidly American as jazz.
Despite opportunities to turn soft and clammy, the film is moving but not maudlin, whimsical but not cloying.
Forster builds on each scene, and the finale . is quite moving.
This is solid but unspectacular entertainment, and most who see it will leave theaters satisfied, although not overwhelmed.
The film reminds us not only of the many uses of enchantment, but of the exhilarating magic of the words, 'Let's pretend.'
I like the way this film kind of mirrors Peter Pan. That we have these magical elements, little things that of course are now keystones and touch notes in the Peter Pan story we see how the idea first came to him.
Very clever and imaginative indeed.
The movie is one long snooze, until the finish leaves half the audience glowing and in tears.
Marc Forster's handsome-looking film stars Johnny Depp as J. M. Barrie and Kate Winslet as the widow whose sons inspired Barrie to write Peter Pan.
While Mr. Brooks is very funny, Ms. DeGeneres gives a bravura comic performance, as well as a touching one.
Finding Neverland practices a tasteful restraint, embodied by Depp's unusually subdued performance.
Finding Neverland is not exactly the way it happened, but this is a movie with a higher truth, one we need to believe in. And you will believe. You will.
Watchable and passably engaging.
Johnny Depp adds yet another indelible, Oscar-worthy portrait to his gallery of memorable characters
Finding Nemo is laced with smart humor and clever gags, and buoyed by another cheery story of mismatched buddies: a pair of fish voiced by Albert Brooks and Ellen DeGeneres.
For Depp, Finding Neverland is the latest in an extraordinary series of performances.
Finding Neverland establishes its limits and then transcends them to provide a glorious entertainment for this holiday season.
Like Pixar's previous films, Finding Nemo mines humor from the oddities of an unknown world but stays grounded in a familiar one, finding recognizable elements of heartbreak and happiness amid the ink-jetting octopi and irritable flounders.
Twee is one of those distinctly English words. It's used to describe something flowery, fey, hopelessly lightweight. It can also be applied - quite nicely, thank you - to Finding Neverland.
As a study of the creative process, Finding Neverland is too literal, yet gives a healthy idea of the richness and ingenuity of Barrie's work.
A genuinely funny and touching film that, in less than a decade, has established itself as a timeless classic.
It's a reminder that a sense of play is at the heart of every play - at the heart of every artistic endeavor, for that matter - and yet life is more than just a playground.
In its understated way, it is based on a sense of what separates children from adults and how someone like Barrie might have bridged that gap.
Forster doesn't know how to make his story flow - the picture moves from scene to scene with an almost painfully mechanical precision.
The latest flood of wizardry from Pixar, whose productions, from Toy Story onward, have lent an indispensable vigor and wit to the sagging art of mainstream animation.
The story is told gently and simply without excess sentimentality. It is a welcome departure from more contrived holiday fare.
For the most part, Forster peeks inside the creative process, presenting us with scenes that are sweetly realized and often touching.
Glorious entertainment.
Finding Nemo is distributed by Disney, and it has what the most heartfelt Disney animated features used to have: rapturous imagery matched with real wit.
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