From director Clint Eastwood comes "American Sniper," starring Bradley Cooper as Chris Kyle, the most lethal sniper in U.S. military history. But there was much more to this true American hero than his skill with a rifle. U.S. Navy SEAL sniper Chris Kyle is sent to Iraq with only one mission: to protect his brothers-in-arms. His pinpoint accuracy saves countless lives on the battlefield and, as stories of his courageous exploits spread, he earns the nickname "Legend." However, his reputation is also growing behind enemy lines, putting a price on his head and making him a prime target of insurgents. Despite the danger, as well as the toll on his family at home, Chris serves through four harrowing tours of duty in Iraq, becoming emblematic of the SEAL creed to "leave no man behind." But upon returning home, Chris finds that it is the war he can‘t leave behind. (C) Warner Bros.
About American Sniper
Artist : Bradley Cooper, Sienna Miller, Luke Grimes, Kyle Gallner, Jake McDormanAs : Chris Kyle
Title : Voir American Sniper Complet Film Allocine
Release date : 2014-12-25
Movie Code : 2179136
Duration : 134
Category : Drama
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There's no freshness in either the domestic scenes or the combat sequences.
The best movies are ever-shifting, intelligent and open-hearted enough to expand alongside an audience. "American Sniper," Clint Eastwood's harrowing meditation on war, is built on this foundation of uncommon compassion.
American Sniper is imperfect and at times a little corny, but also ambivalent and complicated in ways that are uniquely Eastwoodian.
As a piece of direction, it's as taut as anything [Eastwood's] ever done.
The film's just a repetition of context-free combat missions and one-dimensional targets.
This movie is drowning in duty - to say nothing of hoary storytelling devices and one embarrassing scene after the next for Sienna Miller as Mrs. Kyle.
After 40 years of Hollywood counterpropaganda telling us war is necessarily corrupting and malign, its ablest practitioners thugs, loons or victims, "American Sniper" nobly presents the case for the other side.
A taut, vivid and sad account of the brief life of the most accomplished marksman in American military annals, American Sniper feels very much like a companion piece-in subject, theme and quality-to The Hurt Locker.
It's a gritty, confident portrait of a man whose life may have been somewhat messier than this Hollywood version.
It's clearly Cooper's show. Substantially bulked up and affecting a believable Texas drawl, Cooper embodies Kyle's confidence, intensity and vulnerability.
Eastwood's impeccably crafted action sequences so catch us up in the chaos of combat we are almost not aware that we're watching a film at all.
Mr. Eastwood's film lets this good and anguished man speak for himself, and discover himself, at his own pace.
Both a devastating war movie and a devastating antiwar movie, a subdued celebration of a warrior's skill and a sorrowful lament over his alienation and misery.
Less a war movie than a western - the story of a lone gunslinger facing down his nemesis in a dusty, lawless place - it is blunt and effective, though also troubling.
American Sniper lifts director Clint Eastwood out of the doldrums that have plagued his last few films.
"The result is not unlike watching a suspenseful but highly repetitive video game, especially since nearly every Iraqi is seen through Kyle's highly perched rifle scope."
This harrowing and intimate character study offers fairly blunt insights into the physical and psychological toll exacted on the front lines, yet strikes even its familiar notes with a sobering clarity .
Bradley Cooper, as Navy SEAL Chris Kyle, and director Eastwood salute Kyle's patriotism best by not denying its toll. Their targets are clearly in sight, and their aim is true.
Cooper nails the role of an American killing machine in Clint Eastwood's clear-eyed look at the Iraq War.
But the adrenaline can't replace perception, and despite Eastwood's deft staging of the Iraqi scenes, they don't bring viewers any closer to understanding why Kyle insists on repeatedly returning to the war zones.
Just as only Nixon could go to China, only Clint Eastwood could make a movie about an Iraq War veteran and infuse it with doubts, mission anxiety and ruination.
Cautiously, Eastwood has chosen to omit Kyle's self-mythologizing altogether, which is itself a distortion of his character. We're not watching a biopic.
Though it never uses the term "PTSD," American Sniper, at its best, is a devastating portrait of post-traumatic stress disorder.
Clint Eastwood has directed war movies before, but never one that focused on a single warrior. And he has an amazing one here .
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